robert dudle 1560 london the wallace collection  Related Paintings of flemish school :. | The garden of the desires, trip sign, | A Lady in a Fur Wrap | Gemadefolge | Self portrait, painted at Florence, | Madonna Child ff |
Related Artists:
Alfred Wallis
British 1855-1942 1942). English painter, fisherman and scrap merchant. Although the exact date of Wallis birth is doubtful, he stated in letters to Jim Ede, one of his greatest patrons, that he was born on the day of the fall of Sebastopol. He claimed to have gone to sea at the age of nine and was involved in deep-sea fishing, sometimes sailing as far as Newfoundland. About 1875 he married Susan Ward, a woman 21 years his senior, and shortly afterwards gave up deep-sea fishing to become an inshore fisherman. In 1890 he moved to St Ives, Cornwall, where he set up as a marine scrap merchant. In 1912 he retired. His wife died in 1922, whereupon he took up painting to keep himself company, as he told Ede.
Piero di Cosimo
1462-1521 Italian Piero di Cosimo Galleries Italian painter and draughtsman. Tax declarations made by Piero di Cosimo's father suggest that the artist was born in either 1461 or 1462. According to the first, he was eight years old in 1469, while a catasto (land registry declaration) of 1480 gives his age as 18. A document of 1457 establishes that his father, Lorenzo di Piero d'Antonio, was a maker of small tools (succhiellinaio) rather than a goldsmith, as Vasari claimed. By 1480 Piero appears no longer to have been living at the family house in the Via della Scala, Florence, but was an unsalaried apprentice or workshop assistant to Cosimo Rosselli, from whom he received room and board and eventually took the name of Piero di Cosimo.
Maurice quentin de la tour
1704-88 French pastellist. He was one of the greatest pastellists of the 18th century, an equal of Jean-Sim?on Chardin and Jean-Baptiste Perronneau. Unlike them, however, he painted no works in oils. Reacting against the stately portraits of preceding generations and against the mythological portraits of many of his contemporaries, La Tour returned to a more realistic and sober style of work. The fundamental quality of his art lies in his ability to suggest the temperament and psychology of his subjects by means of their facial expression, and thereby to translate their fugitive emotions on to paper: 'I penetrate into the depths of my subjects without their knowing it, and capture them whole', as he himself put it. His considerable success led to commissions from the royal family, the court, the rich bourgeoisie and from literary, artistic and theatrical circles.